In commemoration of our fifteenth anniversary, Wolfsonian curator Sarah Schleuning organized an exhibition showing off some of the many gifts that have come into the collection since our tenth-year celebrations in 2005. The exhibit, entitled +5: Recent Acquisitions from The Wolfsonian Collection, officially opened with a members preview and opening reception last evening. As I milled about the lobby mingling with some of the donors, staff, and other guests, I got to thinking about what motivates collectors (and the public) to turn cherished private possessions over to a public institution—the topic of today’s blog. Rather than include items already on display, I thought I would use this occasion to highlight some works that didn’t make it into the show given the limited space in the galleries, the large number of contributors, and the sheer number and volume of items that have been added to the collection. Of course it is equally impossible to recognize in a short blog all of the persons who have contributed to the library over the last five years, so this will be the first of five such blogs dedicated to acknowledging some of those who have contributed either gifts, money for acquisitions, or time, work, and energy in support of the museum library.
HIGHLIGHTS OF A GIFT OF LEONARD A. LAUDER
HIGHLIGHTS OF A GIFT OF JEAN S. AND FREDERIC A. SHARF
Jean S. and Frederic A. Sharf have been long-time supporters of the museum and most recently have donated a substantial number of large works on paper and rare books to the Wolfsonian with promises that more would be on the way. Over the years, Fred has amassed an incredible collection of view books, original travel journals and diaries, and other rare materials documenting the English and European exploration and colonization of Africa, the Spanish-American War and U.S. expansion in the Caribbean and Philippines, and the rise of the Japanese Empire in the Far East. Not only do his donations dovetail nicely with the Wolfsonian’s collection interests, but they fill a gap in our otherwise strong collection of colonial and empire propaganda.