Showing posts with label school visits to The Wolfsonian. Show all posts
Showing posts with label school visits to The Wolfsonian. Show all posts

Friday, May 21, 2010

VISITS BY SHENANDOAH MIDDLE SCHOOL STUDENTS

Throughout the month of May, more than two hundred Shenandoah Middle School students studying the Second World War and the Holocaust have come to the Wolfsonian library to see a presentation of primary source materials from the collection. Before coming to the Wolfsonian, the students participating in the museum education program had the chance to hear a talk by a Holocaust survivor and to read Anne Frank’s famous Diary of a Young Girl, chronicling her life in Amsterdam hiding during the Nazi occupation.

At the museum, each visiting class was split up into two groups of twenty to thirty students. Wolfsonian Manager of Youth & School Programs Coordinator, Claudia Caro Sullivan took half of them on a guided tour of the museum galleries, and some of them also participated in an art project involving the creation of a book of self-portraits. The other group was ushered up to the library for a talk about the rise of Adolf Hitler to power in Germany in 1933, and a discussion of the history of racial discrimination in the United States and Germany. The students learned that although the United States was still struggling with segregation, horrific lynchings and KKK terror, Jim Crow laws, and other discriminatory practices, some progress towards civil rights began to be made during the Roosevelt Administration. Ironically, at the same time, Germany’s rather tolerant record as regards Jewish emancipation and assimilation and Jewish-German mixed marriages made an immediate about face as the Nazi regime promoted anti-Semitism and goose-stepped the nation down the path of a racist regime. After the discussions, the students in my group joined Claudia, and those in her group came up to the library.


One of the questions we tried to address during the back-to-back discussions in the library was how Hitler and the National Socialists were able to seize power, exercise dictatorial control, and to perpetrate such a monstrous program as the liquidation of six million Jews and another six million Gypsies, Russians, homosexuals, disabled persons, and a host of political dissidents. The materials laid out on the table suggested that Hitler and his gang recognized the importance of propaganda, for even a dictator needed to maintain at least the appearance of popular support.


Garnering the support of talented graphic artists, photographers, and filmmakers Hitler and his Reich Minister of Propaganda Joseph Goebbels (1897-1945) staged rallies and parades and a paper campaign designed to forge a positive image for himself and his party that belied the hideous program he had in store. Promising work in a time of global depression, a revival of German fortunes after the humiliations of defeat in the catastrophic First World War, Hitler appealed to German patriotism and provided them with a scapegoat aimed at uniting the nation against a common enemy. During the war, the Nazis forced Jews to wear badges to single them out and employed heavy doses of anti-Semitic propaganda to dissuade persons in the occupied territories from sheltering the “enemies” of the Third Reich (like Anne Frank and her family) and to encourage them to turn them in to the Gestapo for deportation to “work camps.”

The bachelor führer was also savvy enough to recognize the importance of posing with youngsters. He also provided propaganda books for the schools and established the Hitler Jugend as a means of brainwashing an entire generation of impressionable youths.



The visiting middle school students, however, were not so easily manipulated by the propaganda. Many perceptively noted the discrepancies between Hitler’s racist rhetoric and reality. As one French caricature from the period made clear, (and as Charlie Chaplin had hilariously pointed out in his brilliant and pointed satire, The Great Dictator), the browned-eyed, brunette leader of the blonde race did not match the Aryan ideals he promoted.

http://www.youtube.com/watch?v=IJOuoyoMhj8

It became obvious from our discussions that it was not possible to determine a person’s race by appearances, and that the horrible stereotypes of Jews the Nazis created as a prelude to the Holocaust were caricatures as absurd as the idea of an Aryan “master race.” If it were so easy to identify Jews, some concluded, why had it have been necessary for the Nazis to force persons of Jewish ancestry to wear badges identifying themselves as such?

Friday, February 5, 2010

VISIT BY MIAMI SHORES BAPTIST ACADEMY STUDENTS

This morning we entertained twenty-three third to fifth graders and their teachers and monitors from the Miami Shores Baptist Academy in a library tour arranged by Claudia Caro Sullivan in our education department. The young students had come to the library for a presentation of the book as art object. The tables in the main library reading room were laid out with a variety of beautiful books ranging from oversized leather editions richly decorated in the art nouveau style complete with gold tooling; batik cloth bindings; upholstery and fabric sample books and decorative arts catalogs with a papier-mâché contoured cover stored in a silk cloth covered box; a batik vellum elephant portfolio holding one hundred year-old, poster-sized Rembrandt lithographic reproductions and another oversized portfolio containing pochoir illustrations of a Navajo War Ceremonial; and a unique binding made of bass and mother of pearl with hand-painted vellum pages done in the style of an illuminated medieval manuscript.

As delighted as the students and their escorts were with the beautiful books on the table, the real surprise was reserved for me, however, when I picked up a Dutch language children’s book on Snow White. As I began hesitantly to trip my tongue over the Dutch title, Sneeuwwitje, one of the precocious young girls in the group intervened, confidently pronouncing it with flawless ease and precision. Evidently her parents had moved to South Florida a number of years ago, and she had been raised bilingually. Here are some images from the work in question: