Saturday, April 24, 2010

TAKE FIVE -- PART TWO OF FIVE!

REFLECTIONS ON THE SPIRIT OF GIVING AND THE LAST FIVE YEARS OF LIBRARY DONATIONS

WANTED: INCREDIBLE COLLECTION ASSEMBLED WITH LOVE AND CARE SEEKS COMMITTED, LONG-TERM RELATIONSHIP WITH A VIBRANT, SOCIALLY-EXTRAVERTED, RESPONSIBLE REPOSITORY. MUST BE WELL-ENDOWED, STABLE, AND WILLING TO OFFER PERMANENCY AND A BRIGHT FUTURE


Following Mitchell Wolfson, Jr.’s donation of the museum to Florida International University in 1997, other members of the Wolfson family have stepped up to the plate to help ensure that the institution would have the funding to make targeted acquisitions of additional objects and artifacts appropriate to the museum and library’s collecting mission. Just months ago, for example, several rare and important pieces were added to the library thanks to the generosity of the Wolfsonian-FIU’s Collectors’ Council Fund, with contributions from Ellen and Louis Wolfson III and Mitchell Wolfson, Jr. These monetary contributions demonstrate the faith and confidence the Wolfson family has in the competence of the curators and librarians to guide the growth and future development of the museum collection.




PURCHASED WITH COLLECTORS' COUNCIL FUNDS, CONTRIBUTED BY ELLEN & LOUIS WOLFSON III AND MITCHELL WOLFSON, JR.



Soon after The Wolfsonian became part of Florida International University, I was tasked with organizing and installing an exhibition of some of the Wolfsonian-FIU library’s material in the Green Library on the University Park campus with the aim of introducing our collection to the faculty, staff, and students. The choice of theme was an easy one: the Wolfsonian library holds an incredible collection of interwar period steamship company travel ephemera, and we knew that then director of libraries at FIU, Dr. Laurence A. Miller was an ocean liner buff.

http://www.librarydisplays.wolfsonian.org/Bon%20Voyage/Bon%20Voyage.htm




What I did not know at the time, was that Dr. Miller was not only an avid cruise line enthusiast, (contributing articles and reviews to a number of trade periodicals), but had been amassing and assembling a collection of post-war cruise line promotional materials since the 1950s. Years later, associate librarian Nicholas Blaga and I were invited to lunch by Larry, who had since retired and was enjoying even more time aboard ship. At that meeting, Dr. Miller showed us his exhaustive collection of books, periodicals, and original cruise line industry materials from the post-war period and expressed interest in donating the same to the Wolfsonian. Needless to say, we were delighted at the prospect of acquiring such a comprehensive collection that complemented rather than duplicated our own. It took fifty banker’s boxes to transport the collection to the museum and we have yet to come up with a definitive number of items, though something hovering in the neighborhood of 25,000 to 35,000 would not seem too far off. Even as our interns have been working with Dr. Miller to catalog the materials, Royal Caribbean International CEO Adam Goldstein and the Director of global facilities and properties Russ Bogue visited and had the opportunity to meet the collector and to see a wide variety of archival materials documenting their company’s history and ships. Naturally, with such an extensive collection to choose from, this blog will only be able to provide a small teaser of the many wonderful items in the collection.


HIGHLIGHTS OF GIFTS FROM THE LAURENCE A. MILLER COLLECTION

After the passage of a number of years, I sometimes find it difficult after so many subsequent visits and conversations to remember exactly when first contact was made with a particular collector-turned-donor. Such is the case with Robert J. Young. What I do know is that Mr. Young was living in Deland, Florida (where some of the Wolfsonian staffers involved in the publication of the Florida Theme Issue of The Journal of Decorative and Propaganda Arts had traveled in researching one of the entries), and afterwards journeyed down to Miami Beach to pay the museum a visit. During that visit, Mr. Young (an octogenarian) talked with enthusiasm about his idol Bernarr Macfadden and the American Physical Culture movement and expressed interest in finding a permanent home for his collection of rare periodicals and books. Since our curator Marianne Lamonaca had long been contemplating a health and hygiene themed exhibit, she and I encouraged Mr. Young to send down some materials on approval. What arrived soon thereinafter were numerous boxes of rare periodicals and other materials that have greatly enhanced our coverage of the subject and period. With Mr. Young’s recent passing, we decided to organize a library display of some of those materials as a tribute to his generosity. http://www.librarydisplays.wolfsonian.org/Physical%20culture/PC.htm


HIGHLIGHTS OF A GIFT OF ROBERT J. YOUNG


Sometimes gifts to museums come after many years spent cultivating relationships with high profile collectors; other times museums are contacted “out of the blue” by collectors or their agents expressing interest in placing them in an institution where they can be sure that their materials will be cared for and appreciated. In 2009, our rare books cataloguer Dr. Nicolae Harsanyi was contacted online with an offer by Harry Gottlieb of a collection of 398 pristine color lithographic prints taken by William Henry Jackson. Jackson had been hired by the railroad companies to take scenic views of the railway routes to promote tourism and had produced beautiful color prints using the “Photochrom” process, and we were as eager to acquire a set as the collector was to find them an appropriate home.


HIGHLIGHTS OF A GIFT OF HARRY GOTTLIEB


Sometimes gifts are made to museums to memorialize loved ones who have passed away. John and Ideal Gladstone had always been active contributors and supporters of the Wolfsonian and Florida International University. John had contributed several articles to the Journal of Decorative and Propaganda Arts and they had gifted an archive of twenty-two publications and hundreds of issues of nineteenth century periodicals to FIU’s Archive Collections. After John passed away, Ideal began inviting the Wolfsonian’s librarians into her home to sift through her late husband’s library, allowing them to select whichever rare and reference books they considered appropriate for the collection. John was a real renaissance man and his library has proven to be a real gold mine for important reference works on such diverse subjects as: art history; the American labor movement; Communist art and aesthetics; World’s Fairs; technology and industrial design; and illustrated books by Rockwell Kent and others.


HIGHLIGHTS OF GIFTS MADE BY IDEAL GLADSTONE, IN MEMORY OF HER HUSBAND, JOHN


The Wolfsonian has always been interested in acquiring archives or large bodies of the work of individual artists from our period. The library, for example, has great collections of the work of a number of important book designers and graphic artists, including a group of Dutch artists working in the Nieue Kunst (or Art Nouveau) style; a collection of books, periodicals, posters and clippings of American graphic artist Bill Bradley; a collection of hand-painted book covers designed by the Rupprecht Presse in the mid-1920s; and a collection of books designed by Merle Armitage. While the Wolfsonian also had a fair number of limited edition books designed by Mac Harshberger (1900-1975), that collection was recently swelled by the generous bequest of a cousin of the family who donated scores of musical scores, song books, archival photographs and other ephemera left behind by Mac, his lyricist sister, and his partner and composer, Holland Robinson.


HIGHLIGHTS OF A GIFT FROM THE ESTATE OF WILLIAM WHITNEY

We were also recently approached by a local Miami resident Elinor Brecher, who had a gem in her possession that originally belonged to her grandfather. This rare oversized portfolio entitled Century of the Common Man: two speeches by Henry A. Wallace contains autographed color silk-screened illustrations drawn by Hugo Gellert. Born in Hungary in 1892, Gellert had moved to the United States where he used his artistic talents to support the Communist Party of the United States of America. The portfolio had been passed down to Ms. Brecher, who gifted it to the Wolfsonian in her grandfather’s memory. It joins more than fifty other illustrated works by that artist.

HIGHLIGHTS OF A GIFT OF ELINOR BRECHER, MADE IN MEMORY OF HER GRANDFATHER

As it would be impossible in such a short space to mention each and every donor to the collection, I will conclude this installment with a brief nod to a number of individuals who also donated significant rare pieces to the Wolfsonian librarian within the last five years. I thus conclude by recognizing the generosity of Dolores Trenner, Richard Schick, Tim Gleason, and Abbey Chase who gifted some of the wonderful items pictured below.

Friday, April 23, 2010

TAKE FIVE -- PART ONE OF FIVE!

REFLECTIONS ON THE SPIRIT OF GIVING & THE LAST FIVE YEARS OF LIBRARY GIFTS

In commemoration of our fifteenth anniversary, Wolfsonian curator Sarah Schleuning organized an exhibition showing off some of the many gifts that have come into the collection since our tenth-year celebrations in 2005. The exhibit, entitled +5: Recent Acquisitions from The Wolfsonian Collection, officially opened with a members preview and opening reception last evening. As I milled about the lobby mingling with some of the donors, staff, and other guests, I got to thinking about what motivates collectors (and the public) to turn cherished private possessions over to a public institution—the topic of today’s blog. Rather than include items already on display, I thought I would use this occasion to highlight some works that didn’t make it into the show given the limited space in the galleries, the large number of contributors, and the sheer number and volume of items that have been added to the collection. Of course it is equally impossible to recognize in a short blog all of the persons who have contributed to the library over the last five years, so this will be the first of five such blogs dedicated to acknowledging some of those who have contributed either gifts, money for acquisitions, or time, work, and energy in support of the museum library.

In the course of my twenty-plus years working at the Wolfsonian—(beginning some five years before the private foundation and collection was transformed into a public institution)—I have had the privilege of working and conversing with the museum’s visionary founder, Mitchell Wolfson, Jr.—or Micky, as he is more commonly known. Having traveled with Mr. Wolfson to various book fairs and flea markets, it became obvious that Micky was not motivated by any sort of hoarding instinct. Rather, he always seemed to take more pleasure in the hunt than in the capture, and in knowing that he was preserving rather than consuming forgotten treasures. The Wolfsonian first opened its doors as a public institution on the eleventh hour of the eleventh day of the eleventh month in 1995, and in July 1997, Mr. Wolfson donated the museum building and its contents to the state of Florida and specifically to Florida International University. But Micky's mania for collecting (and donating) did not end there. Micky has continued to travel the world collecting (and preserving) things, often in consultation with the curators and librarians with the aim of filling in gaps in the collection.

HIGHLIGHTS OF A GIFT OF MITCHELL WOLFSON, JR.
But while the museum has continued to benefit from our founder’s continued generosity, the +5 exhibition now on display on the seventh floor galleries demonstrates that other important collectors have fully embraced the mission of the institution and have shown their commitment to seeing it grow and prosper. In recognition of our growing reputation as an important repository for wartime propaganda, Leonard A. Lauder donated a large number of American posters and related ephemera from the Second World War.

HIGHLIGHTS OF A GIFT OF LEONARD A. LAUDER

When Pamela K. Harer began hunting for a permanent home for the large collection of children's propaganda books she had amassed in Washington State, she was directed by bookdealer extraordinaire Michael Weintraub to the Wolfsonian as the most appropriate repository. Soon after making contact, Pamela gifted more than one hundred illustrated propaganda books to our rare books and special collections library.
HIGHLIGHTS OF A GIFT OF PAMELA K. HARER


HIGHLIGHTS OF A GIFT OF JEAN S. AND FREDERIC A. SHARF

Jean S. and Frederic A. Sharf have been long-time supporters of the museum and most recently have donated a substantial number of large works on paper and rare books to the Wolfsonian with promises that more would be on the way. Over the years, Fred has amassed an incredible collection of view books, original travel journals and diaries, and other rare materials documenting the English and European exploration and colonization of Africa, the Spanish-American War and U.S. expansion in the Caribbean and Philippines, and the rise of the Japanese Empire in the Far East. Not only do his donations dovetail nicely with the Wolfsonian’s collection interests, but they fill a gap in our otherwise strong collection of colonial and empire propaganda.


HIGHLIGHTS OF A GIFT OF JEAN S. AND FREDERIC A. SHARF
TO BE CONTINUED...

Saturday, April 17, 2010

THE BIONIC MAN TO BECOME A REALITY?


Arriving at the Wolfsonian a few hours before he was scheduled to deliver a public talk in the museum’s auditorium entitled: MERGING MAN AND MACHINE, Hugh Herr, the director of the Biomechatronics Group at the MIT, had the chance to pop upstairs and take a peek at a few items culled from the library collection. Mr. Herr, a climbing enthusiast who lost both legs below the knee, works with a group of MIT’s best and brightest on cutting-edge research blurring the lines between science and design aimed at morphing the human body and the machine to produce “smart prostheses.” The research team is exploring the science by which “disabled” persons might not merely be outfitted with prosthetic limbs, but provided with robotic appendages and sophisticated electronic devices that might actually permit them to far exceed the capabilities of their own biological limbs. Sound farfetched?! Not for you Six Million Dollar Man fans. Oops! Now I’m really showing my age.

Following a general tour and walk through the back stacks of the rare books library, Mr. Herr had the opportunity to view some of materials created in the wake of the First World War with the aim of rehabilitating severely wounded war veterans. Not surprisingly, Hugh noted that during and immediately after nearly every war and military conflict (with the exception of the Vietnam War), increases in U. S. government funding served to spur on research breakthroughs and design developments in the technology of prosthetic devices. Our own holdings of rare books and ephemera confirms Mr. Herr’s assertion, with a spate of titles on the subject appearing in countries participating in the Great War, such as An Imperial Obligation: Industrial Villages for Partially Disabled Soldiers & Sailors (London: Grant Richards Limited, 1917), The Disabled Soldier (New York: Macmillan Company, 1919), and the German leaflet: Ludendorff-Spende für Kriegbeschädigte! Sammel-liste. [Ludendorff contributions for disabled war veterans! Collection list.]

Of course, the rudimentary prostheses from this period can hardly be compared to the sophisticated devices being designed today, and in the wake of the ghastly mutilations suffered during the First World War, it is hardly surprising that many artists (such as Georg Grosz, 1893-1959) focused instead on the dehumanizing and dystopian aspects of an increasingly mechanized world. The library, for example, holds a powerful German Expressionist piece illustrative of the disillusionment of many post-WWI artists with technologies’ potential to better the human condition. This portfolio of prints, Der Künstliche Mensch [The Artificial Man] by Willi Geisler (1848-1928), contains ten plates providing a scathing indictment against dehumanizing mechanization and transformation of human beings into robotic automatons.

In the late interwar period, as the horrors of the First World War slowly began to fade from public memory, other intellectuals began to consider the benefits of mechanization and robotics in human affairs. Some even contemplated a future in which technological development bettered the lives of ordinary human beings. Mexican author German List Arzubide, for example, wrote a series of stories for children to be broadcast on the radio in the 1930s. In Troka El Podoroso [Troka the Powerful], the robot protagonist champions the labor-saving industrial technologies (washing machines, sewing machines, adding machines, bulldozers, etc.) and transformations (pen and ink to typewriter, stairs to elevator, moonlight to electric bulb, etc.) combining elements of Mexican folklore and mythology with the new mythic hero.

In a similar vein, our public speaker Hugh Herr also focused his attention on the optimistic, life-affirming, and potentially-utopian aspects of the merger of man and machine. It is his hope that the transformative technologies and designs that he and his group are working to develop will indeed help to usher in a world in which handicaps will disappear in the seamless blending of man and machine. In the world that he envisions in the not so very distant future, advances in science and design in the “smart prostheses” technologies will permit human beings to attain newer and ever higher levels of physical (and cognitive) potentiality. Go Cyborgs!